Showing posts with label Chapter 10. Show all posts
Showing posts with label Chapter 10. Show all posts

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Chapter 10: Contemporary Graphic Design

Eclectic Experiments
David Carson Ray Gun magazine, grunge music scene in Seattle; Broke every standard for design and typography.
Elliot Earls Cranbrook Academy; Custom Distorted Typefaces,
Benjamin Savignac art director / founder for DEdiCate (fashion magazine)

Depoliticized Design
Graphic designers split between attitudes of design for good. Grunge went against corporations at the same time, corporations wanted to be hip and had grunge campaigns…

Celebrification, celebrity status of designers
David Carson, Neville Brody, Tibor Kalman
Peter Seville postmodern appropriation and pastiche, association with stars such as Warhol, cover art for Suede

Eclecticism, Historicism, Appropriation
Art Chantry 1980s Seattle. Contrarian (for anti-establishment, but works commercially). Poster, Kustom Kulture, found images and eclectic type. Urban outfitters flyer.
David Lance Goines San Francisco. (art nouveau and sachplakat)

Conceptual Design
Sagmeister design connected to human, Lou Reed album cover and aiga poster. Hadwriting on image. Self-reflecting sense of humor
John Maeda computer science MIT. Structural embrace of simplicity. Reebok womens freestyle expressionist shoe concept. More emotion is better than less (layers)
Stephen Sorrell (fuel) synergy of the group rather than the individual. “studio approach” xbox, play more poster.
Experimental Jetset Reitveld academy graduates

MTV, coopting the counterculture
In-house design team. Logo was originally created by Frank Olinsky and designed to move by Fred Seibert (animator) to be always in flux.  Marketed counterculture.  Maintaining some sort of non-commercial credibility.

Comics, Manga, Video Games, Anime
Satoshi Tajiri pokemon for the Gameboy; Ken Sugimori (Pikachu)
Phillipe Parreno, Pierre Huyghe no ghost just a shell. Layers of identity
Chipp Kidd Knopf publishing group, Carol Carson more photographic style in fiction books – revolutionizing.  Used photographic aesthitics in his comic book covers. Work for hire agreements.
Graffiti and Street Art
Wanted to have their art seen all over as the cars passed…
Lee Quinones, Fab Five Freddy (Fred Braithwaite)
This style was taken off the street and merge into the graphic design business for appeal to popular culture. Popular for their interlocking abstract flowing design.
Shawn Wolfe ironic products and marketing pitches
Shepherd Fairy uses appropriation with his own illustration  (plagiarism?)

Illustration in a Digital Age
Has been increasingly marginalized in graphic design. Photoand type have taken mainstream.
Rosenwald target in times square.

The Digital Aesthetic

Resurgent Idealism
Wolfgang Weingart glimpse of the futuristic world. Rejection of the primitive look of the 80s

Wired Magazine
Publisher Louis Rosetto wanted to visually signify the magnificence of the coming age. Mind Grenade (2-page spread with a rendered quote). 6 color process.

Techno Type
Dirk Uhlenbrock  Germany, typefaces for a videogame spaceship.
Carlos Segora, Tim Marcus,
The Me Company nike poster using these typefaces for sports

Pixel Art
Eboy using unadulterated single points of light. Fresh and retro looking. Soft marketing (Honda museum website)
The Designers Republic brain aided design, corporate culture behind the surface

Web
1.0    Beginnings
Crappy tools and lots of eople doing it. Started to diverge into two versions, one for getting sales (like amazon) and others for deisgn (information and entertainment)
2.0    Motion and Interactivity
Now people have faster internet and don’t have to wait. New program allow us to master motion and integrade photos, type and hand draw elements.

Barbarian Group Comcast website
Free-soil.org/fruit  enlisting viewers in a social cause – be ecofriendly

Flash (and the hype framework by Joshua Davis)
Able to be used by designers and non designers. People say it is killing the creativity.

Yugo Nakamura site for MoMA
Daniel Brown Interactive design. Noodlebox and the bloom flower costruction tool

Motion Graphics for Film and Television
Robert Brownjohn intro for James Bond from Russia with love, maholy nagy inspired
Kyle Cooper mfa from Yale. Spiderman flipbooklike intro.
Mark Bohman sperts center graphics package – kenecticism, sleek and textureless. Key to success was making it work with one piece of software including music and video


Contemporary Typography
Fontographer first time use of vector graphics. Cool typefaces.

Holmes / Bigelow Lucida Sans – high x-height
Spiekerman  Meta – lively alternative to the less expressive like Helvetica
Bil’ak  Brioni – calligraphic sans serif
Majoor Scala
Hoefler 27 styles released with macintosh
Neville Brody Blur
Paul Elliman Bits

Globalization – is western design dominating and the world. It is recognizable anywhere
Do it yourself – easy because the tools are available to everyone
The Citizen Designer – design for good, like in the old days.